Several years ago, I had the opportunity to perform a faculty recital entitled “An American Taste of Paris” at both the university where I taught and at the Fondation des Etats-Unis in Paris, France. The pianist, a Franco-American colleague of mine, introduced me to two short, relatively obscure French pieces—“Nocturne” (1911) and “Cortège” (1914), which captured my fancy. … Read More...